the much anticipated follow up to last years balearic opus >panorama suite< by max essa. >heartache (original 86 club mix)< - this funky early nineties inspired house groove seems to be channeling all the best bits of fpi project yet manages to still sound brand new and wholeheartedly relevant. this track is heading for the dancefloor - unashamedly uplifting and funky - a real breath of fresh air. sample free and featuring max on vocals. i challenge you to not move to this. >feel it in your body< is a more chuggy, dubby affair featuring a vocal chant not dissimilar to e-man grooving. funky guitars groove the track along until the synths lift it up to the next level. trancey balearic synth slo-mo goodness.

sampler 1 of 2 from in flagrantis new album. predictably jacked to the brim full of their signature no-gristle, no-glory aesthetic. succeeding 2006s wronger than anyone else and 2009s brash & vulgar, in flagrantis sasa crnobrnja and alex gloor have left behind their vintage porn-chic sensibilities and instead turn to yesterdays trashed goods for inspiration. >flea markets and recycling parts of our production are really at the center of this album,< said the now london-based crnobrnja. >i like things to be old and run-down,< added alex gloor, who still resides in basel. >so i let myself be inspired by one of my favorite places to spend time: 1970s- 80s new york city.< among four killer tracks, >prelude to chaos< reminisces the days where the finest of 69-cent wines glistened in the gutters outside the arcade.

second installment on colourful has tobias linden, orange muse returning with some serious summer heat. the terrace mix with it’s euphoric piano hook and vocal chants against a funky backdrop will be perfect for those late decadent summer nights. the basement mix is an altogether different affair, stripping all the elements, featuring a raw synth hook to build the tension. bouncy with prominent percussion this mix still carries the uplifting, spiritual feel of the terrace mix. stepping up to remix is none other than the beats maestro himself, mr. kenny dope. drawing on the past, adding a splash of new, kenny comes really fresh on this one. raw, dry beats, deep bass drops and a sax hook to match the vox snippets - this is one piece of fierce floor action! add to that an instrumental and the colorful year of 2011 is in full gear– what else do you need?

db049 is by two of the best new school groove specialists in the game, sascha braemer and philip bader. this is saschas third appearance on dirtybird and phillips first but the two have been friends for many years. both guys have their own amazing labels now (sascha runs supdub and philip runs dantze) so we are very happy to be able to still get a cool record from them on dirtybird. we will leave the title of this >friends and honey ep< up to your imagination but both trax are money in the bank. i welcome our friends from berlin to the san francisco family an we hope to see these two over here in the usa soon on tour.

never losing the musics immediate physicalness out of sight, the driving, bass-heavy energy of alex picones tracks set club floors on fire. still in his twenties, hes been a dj for fifteen years. having never aimed at quick fame, his career is exemplary in its endurance and commitment: he hosted parties in his hometown of padua and became resident at seminal italian clubs. after a stopover on ibiza he now resides in berlin. alex picones first record under his real name is also his first release on cadenza and his most successful so far. the three tracks of fahrenheit tie in with the overboiling force of floppy and furby. while the rattling snaredrum adds a humorous touch, the uplifting groove of inside out pushes on the limits of the energy levels of contemporary house music. yet the heart of the track is the relentless bassline, which liquefy ones body and melds the crowd and the whole club in one torrential stream of tension. with lost in burning man, alex picone fuses an oldschool electro groove in his house beats. this unexpected encounter might remind one of kevin saundersons hiphouse sound. but instead of indulging in nostalgia, the breakbeats add a provoking, startling touch to the track. with the rotary bassline and the playful jaws harp of mandarin, the ep ends on a comical note. alex picones second cadenza is a challenge to a certain house sound that became too accommodating and glossy. his musics driving force pushes the crowd beyond the threshold of the established into a space of limitless indulgence

it seems that dapayk used to listen to a lot of hip-hop when he was younger. his latest ep for still vor talent >let go< has got these influences written all over it. the title track starts out with a male vocal and some sounds that sound a little like scratching before things then quickly head into the direction of the club. the vocal by singer camara could not be more reminiscent of 80s house music and this track has got all the soul and groove of this era. beneath the delicate vocal and sound patterns lies a wonderfully simply staccato house groove that is sure to get everyone shuffling. on the flip things get a little more techy with >nneka<, a deeper and more melodic tech house glider that gently takes the listener towards a harmonic state of mind. beautifully arpeggiated pads, a warm soulful groove and some reverbed vocals make this one. last up is the sample-based tech-house stomper >upyo< featuring production partner jon hester. this is loop heaven: a pushy beat loop with many snares, reverse samples and an unexpected saxophone melody make this one the perfect changeover track from warm-up to peak-time. this ep shows dapayks skills to combine many musical influences into his unique still of tech-house music

droid recordings has always focused on presenting domestic talent. the latest eps contributors are no exception. kyle geiger of drumcode fame teams up with longtime collaborator and friend bobby dowell. they both reside in the technos simmering hotbed, the american midwest. they are among north americas chosen few still representing techno in the place where they were raised and influenced rather then adding themselves to the over-saturated european scene.

for his premiere on treibstoff, diego extended his pallet and integrated several flavors of funk into his set-up, extending the well-lubricated machinery and producing brilliant results. this record is a loveletter and an indispensable tool for all those djs, that still take their job seriously. and who havent forgotten about their roots: the club. we all live off air, love... and sweat. comes with a download voucher!
supported by mark henning, gary martin, slam fra, laurent garnier, heiko laux, sascha dive, karotte, james holden, ame and many more.

the fruhstucks sophomore release with racecar is a 180 degree turn from hats & cats. this is a far more refined yet purposely less polished release, still rife with emotion yet embodying a certain grace and maturation. much of this could be due to instrumentation. the fruhstucks have added strings to their vision with the addition of guitars by miguel boxerinlove and subsequently sutja gutierrez also plucking strings himself.

ltd handmade cover ... telrae welcomes soundseeker, noise controller,full time musician, van bonn. he has written two tracks for telrae. both of them are constructed like a theatre play.. each tone is intentionally-on purpose- generated and set in its propper place to create a symbiotic effect... which you realise once you give them time to interact… and create something which might be just one element in a chainreaction. van bonns definition of techno dub. you could say van bonns has written the most abstract release so far for telrae and you could be right. the two tracks are not written for functional reasons, but are very functionel for the ones that seeks for similar feelings such as, deepness,landscapes of sound or just snapshots in which time stands still. these tracks come from far away to be discovered by likeminded people. dive into the world of van bonn.

paul hughes and aruba teaming up for this latest offering from siesta music. >these days< is a lush late night groover, combining a rich bassline with a drifting vocal stab, tight beats, and dubby chords for some quality deep house. aruba adds a little old skool flavor to his >those drumz mix< via new analog synth lines and a new bassline, while the beats, now more of a tribal rhythm, still keep the floor crowds moving. the >those nights mix< will throw you all off, with the track slowed to a crawling skank with a deep bassline and recliner beats pitting wits with a slowed down take of the vocal.

hot off the heals of the core series reissue of >i feel the rhythm<, slow to speak offers its latest edition of prescription family represses: glenn undergrounds >mighty real groove<. released under his early moniker, c.v.o, >mighty real groove< beats into even the most stubborn ears the truth of trent & co.s collective of hand-picked mid-west talent. the 1995 masterpiece is a devastating, pulverizing party-rocker that utilizes the used and abused sylvester sample so typical of the disco era and re-cultivates its simple universality in a way that avoids the cliches of discos expired optimism. add the smart chord progression and one of the most un-subtle, chest-reverberating, entrails-twisting, thor-hammering bass lines ever to grace a deep house record and you have >mighty real groove<: a party jam that still wields the musical elegance and warmth of the prescription catalog. hammered to death by theo parrish & so many more, this time-tested c.v.o classic has signed up for a second tour of duty, spreading the true underground gospel to those unbelievers who still dwell in the mansion of shadow and despair

if the eyes would be the mirror of the soul we could easily know others. but that may be not true so this is the aim of giorgio gigli and obtanes >the incredible tale of secret journey through your eyes<: penetrate your eyes and reach your soul and subconsce until we know your truth. psychoanalytic claims this time for zooloft, opening with an upbuilding, dramatic techno anthem, telling us of a true love on the hills. on the other side, geophones master mike parker delivers a pulsating and acidic techno driver where heart impulses are generated by a disturbed soul, creating spasms and panic feelings. the ep get closed by a strongly romantic drone track that tells us love is still the only way-out.

sosuntwintig brings us 2 thrilling tracks which make for spring flourishing in the club. on the a side, we say welcome to 3 new artists from italy. paride saraceni feat. jules and jazper show us their way of passing winter time with >smooth dawn<. a track, bursting with magical energy and with its chords calling for spring which wont let us stand still. the b side belongs to oliver schories, who knows how to pick em with >composer<. this tune is catching every synapse of our brains to pave the way for olivers springtime messenger. beat by beat, >composer< unites itself to a whole piece to sound the bell for the natures awakening and spring.

jyc-001 is the first release from junk yard connections. a small indie-label formed by a twenty years old guy from stockholm. highvalley is a floating track with elements and inspiration from jungle like motown, but still with a steady housegroove. feel is a track with a lot of melancholy mixed with a great swing. perfect for the afterhour! jyc-001 will just be released in wax and strictly limited to 250 numbred copies.

classic us house album

rome, italy native fabio bacchini has been holding it down for underground house music with his label mind travel, but takes a step to the left to give us a hot little ep on transport. the roman disco ep is exactly what it says on the box: no fancy gimmicks here, this release is comprised of four solid disco house jams. the first tune >weekender< is a nice phase guitar loop jam with signature disco pulsating strings amidst the happy snapping snare beats and soul train vocal snips. next is my favorite cut, >money talks<, a straight up disco rhodes organ jam a la the crusaders. add some saxophone in there for points with ladies, and you have yourself a jam. on the flip we have >in the mood< is takes the mood a bit deeper with a nice n spacey groove amidst a rhythm heavy beat. throw some synth strings and keys riffs in there for good measure and there you have it... disco house. sometimes stays within the same formula but brings a more pulsating sound that pushes the music. the tune is still deep and groovy as the ep winds down...

double vinyl with 2 bonus tracks.

supported by luciano, timo maas, pig & dan, anthony collins, woody, dustin zahn. rifraf is rafael gimelstein, recently relocated from sydney to berlin, born in lithuania, raised in israel, flowered in sydney. classically trained violinist, deep as fu*k party organiser and creator of sydneys earthdance festival, rifraf is now full time producer making his distinctive sound in electronic music world. philosophy started as a casual recording of his granny klara telling stories about her time in a concentration camp in germany, and singing the yiddish song tumbalalaika and ended as a very intelligent moving sound collage. the whole peace is a trip, which feeds you constantly with changing noises and visions. although philosophy is transferring a lot of aural information, it is never telling to much and still works perfectly on the dance floor. its just an intoxicating musical tale which drives you on a wild journey. with the both remixes, one of alexkid with his deep as fu*k remix and phillip baders off runner the release get its pretentious dance floor alternatives. fifteen seconds close this fine ep, which rafael did in coop with the young israeli producer omer from tel aviv.

the somewhat mysterious ld nero debuts with a release on peter fords venerable trelik imprint. the nites out ep is dipped in the kind of glossy production sheen that one expects to hear from a seasoned producer, with opening jam >nite out (dusk dub)< nailing that early 90s, stripped back house sound with effortless aplomb. the deep and hypnotic drum programming undulates next to neat organ stabs forming for a truly rhythmic dancefloor jacker. flip over for the dawn dub of the same track, with both name and sound suggesting this ones aimed squarely at those still standing and/or dancing come sunrise. this time a more ethereal atmosphere permeates, with a refreshing live and un-sequenced feel to the production

minibar is proud to welcome glucks first solo ep silence-friction. gluck is best known for being 1/2 of minibars super-boy-band ultrakurt and for his sparse solo productions under the monicker spasm. david gluck now returns on his own for a funk-packed house ep, far from all things minimal but still in the purest minibar tradition, in full compliance with official ultrakurt regulations: nonsense as a state of mind, moronic loops for breakfast and cheap bleeps à gogo. get your copy while theyre still legal

niconé is back on stil vor talent with his very much loved project that has already brought us an absolute scorcher on stil vor talent before. again he features the wonderful vocal of narra on this hypnotically happy percussive house affair >caje<. the original track grooves on some free swinging percussions and a softly moving house loop making this a very subtle killer for any afterhour. while narras vocals carry the track as light as a feather it is after the breakdown that things get really musical! for the remixes stil vor talent has aligned a high-quality and diverse array of current top-notch producers. things go dark, minimal and very technological with pan-pots take on >caje< that still keeps a very soulful element in its approach. then, berlins coolest kid on the block adam port knows that every track gets better with a lot of claps-and he sure is right in his interpretation of >caje<. this is one of these tracks that sucks the listener in so deep that there is simply no escape: repetitive yet constantly changing and constantly grooving while remaining very pure! for his very soulful groove dirty doering adds some wonderfully melodic synths and guitars to his track that turn >caje< into an even more summery house affair. this release is filled with tracks that will long echo on the dancefloor!

records like this dont come very often. thankfully it seems there are still people out there who care enough to create beautiful projects and timeless music. after the ingenious june white label came out last summer, these days records office fell in love with it and without wasting any time rushed to contact the mysterious artist and propose an album. although well-hidden in a secret back-alley of west london where june lives and dreams music, his unique approach on acid house, synth wave, chicago house and 80s nostalgia was too good to be left unnoticed and has been favored by people such as panorama bars steffi, mathematicss owner hieroglyphic being, terre thaemlitz and the clone record store to name but a few. almost half a year after his >alleviation< ep, junes debut album >cytheria< has been realized and features a 12inch sampler with two brand new tracks and two remixes by critically acclaimed dj sprinkles on one of junes older tracks >lost area<. terre thaemlitz aka dj sprinkles, who has been well renowned for his contributions in music and arts in general for the past two decades, delivers an epic remix that takes one to a forgotten musical territory somewhere between early warp records, hacienda, 80s new york club sound and older balearic music. the albums cd version includes 10 new songs and 4 from the artists back catalogue and retains a great balance between dance floor orientated tracks and synth-pop.

psq005 is furesshus follow up 12 inch release to last years trio of tracks (psq002) that garnered attention from ben klock, sigha and marcel dettmann, who continues to play out his music regularly. furesshus bleak and powerful remix of l-ow (psq003) has been criminally under appreciated, and now his second 12 inch on project squared (psq005) will showcase a more house influenced, but still techno at its core, sound with >lucid< and >all i want<.

social distortion is something of a legend in the punk genre and still continues to receive worldwide respect and support.music on vinyl is very proud to present this legendary and widely acclaimed punk album on 180 grams of the finest hardcore audiophile vinyl.

because we still love real stuff, this ep will be released on vinyl as well on a limited quantity. championned by artists such as sebastien leger of popof, max bett delivers a very soulful techno/tech-house music that aims straight to the clubs!

after having hit the dancefloors with hydra (weave-26) we are proud to unleash another techno monster by spektre. these 2 guys have travelled the globe in the past years performing their live show, to rapturous acclaim. the versatile experiences they made & still make during their international appearances are constantly improving their own productions. spektres big explosive sound has gained massive respect & support and even the biggest of the big like sven väth, dj hell, dubfire, laurent garnier & many more are not sparing with praise. the title track of weave-34 synapse is stacking up an intimidating amount of industry knowledge and skill between them, the latest spektre-monster is storming from strength to strength, taking no prisoners - it can definitely be called a weapon! and as if this wouldnt be tough enough already, weave-34 delivers even more state of the art techno by offering 2 killer remix versions coming straight out of the noisemaking machines from italys young-gun flavio diaz and pig & dan

anyone who advertises on their facebook site that they create music for dogs while working under the name dachshund must have a sense of humor. and indeed, it seems the swiss dj, producer and label boss doesnt think much of sterile production and is prepared to use his sence of passion and fun to create rhythms of every kind in his work. perhaps this is a legacy of dashshunds musical roots: in the 90s he played in various reggae bands, which eventually took him to jamaica. from the sunny islands he brought back a dub influence which can still be heard in his music today. he has already proven, with his highgrade debut on the >group of connected heads compilation, his feeling for up-beat, bouncy rhythms. nothing has changed with his first solo release on highgrade. groovy, original and funky, it booms from the speakers. that the first track is called >stand firm<, must be due to the humor of dachshund: the beats immediately encourage you to do the exact opposite… shake your booty!

first on decks.de! limited white coloured vinyl.
aspekt strikes back with their actually release. the new great 4 track ep >good things< by mike wall & ixel, contrast itself with a great and special minimal sound. >inicio< on side a sounds tempting and mysterious, minimal-house with a touch of deep. the remix by alex q & match hoffman is an excellent deephouse number mixed with minimal accents, which animate to dance. with >undromeada< and its marcio kantana remix the listener can expect great tech-house with playful melodic sounds with which you cant sit still to. awesome record for the dancefloors!

the niallist is back after his first release of 2010 on little rock records - his last (house machines >a.c/i.d.<) selling out its limited edition run and gaining support from james murphy, trevor jackson, cosmo vitelli, ali renault and old school acid legend adonis.
>i came< is favela-funk meets chicago house, with the sultry vocals of ms mac d lending it an accessible and sexy edge. it has already gotten plays on kiss fm by sinden, and on bbc radio 1 by both vic galloway and optimo. the release has been getting some strong reviews already and the remixes have been proving popular on the blogosphere, especially brassicas icy italo remake.

what happened? we dont know! all we know is that once in a while every successful couple - and even passionate lovers - needs a break from each other. so you get larry tiger alone on the green this time. no woods around. just one man and his caddy. still, he is able to perform a perfect albatross as well as a textbook eagle. extended disco power play versions for daft punks and silent rockers. limited unlimited.

the ppu label searched for this guy for years and as soon as they got a hold of the mysterious california gospel producer the first question was, why name your group shelve? >its not shelf, its shell-vee, for shelby!< ppu was finally able to locate shelby when releasing a record with michael soward (ppu-022), turned out shelby produced the title track >hes alive<. >this world< was recorded and mixed by dale >rambo< ramsey, who went on to work with some major hip-hop acts like ludacris, raekwon and the youngbloodz! today shelby hurns is still producing records and will be releasing his latest cd summer 2011. check!

hot off the heals of the core series reissue of >i feel the rhythm<, slow to speak offers its latest edition of prescription family represses: glenn undergrounds >mighty real groove<. released under his early moniker, c.v.o, >mighty real groove< beats into even the most stubborn ears the truth of trent & co.s collective of hand-picked mid-west talent. the 1995 masterpiece is a devastating, pulverizing party-rocker that utilizes the used and abused sylvester sample so typical of the disco era and re-cultivates its simple universality in a way that avoids the cliches of discos expired optimism. add the smart chord progression and one of the most un-subtle, chest-reverberating, entrails-twisting, thor-hammering bass lines ever to grace a deep house record and you have >mighty real groove<: a party jam that still wields the musical elegance and warmth of the prescription catalog. hammered to death by theo parrish & so many more, this time-tested c.v.o classic has signed up for a second tour of duty, spreading the true underground gospel to those unbelievers who still dwell in the mansion of shadow and despair

fresh from the success of his sellout collaboration with dj venom on the underground hit >deeper<, benjamin damage is back.
the first release on doc daneekas ultra-on-point label ten thousand yen is still ringing in the ears of clubbers all over the world after being smashed by modeselektor and his latest ep looks set to be even bigger.
following the release of his acclaimed debut solo vinyl >zeppelin< for modeselektors 50 weapons label, benjamin damage returns with the eclectic 4 track ep >antidote< on his own >solva< label. flying from the beautiful melodies of >no snares< and infectious rhythms of >run and bounce< to the hard uk funky/techno hybrid >808 rhythm< and pure main room energy bliss of >pump<, this is an absolutely essential purchase.

recorded in the winter/spring of 2009, first released in june 2009. at the time i called it my failed kompakt techno experiment, i started out with that minimal beat in mind but ended with something different. the title was the first thing i started with after watching some miss helen mirror on tv at the period, still love the title really. songs became longer and i discovered the delay while recording. this second record was the first one were i started settling on an sound of my own. some weeks after recording the screaming girls on the last track during their sunday afternoon youth group activity a baby fetus was found on their field with the mother being one of the girls

2nd phil weeks album on robsoul !

after the real thing ep, arthur pochon a.k.a art bleek is coming back on sharivari with four deep and funky tracks. from alright and its straight and dynamic bassline, to the broken style beats of deep hop, full of percussions and jazzy grooves, and closing the ep with the wild and hypnotising hi-hats of traces & dust, the immigrant ep proves that the parisian producer is still one of the ambassadors of the french deep techno scene.

ulysses dj career began in 1991, when he started his universitys first techno radio show. shortly after graduating he returned to his hometown and became a player in the late-90s electro scene in new york, running some of the earliest large-scale electro parties in new york. guests included legends such as alexander robotnick and arthur baker, as well as recent stars like i.f., miss kitten and the hacker and adult. ulysses is not only about party promotion, however, and a close look at his diverse musical career will quickly shatter this misconception. although a long-time advocate of obscure disco and classic techno, ulysses is currently best known for the piano house anthem robotic hypnotic adventure from his neurotic drum band collaboration with john selway. in addition to the ndb ulysses collaborates with thugfuckers holmar filipsson as filipsson & ulysses, who are releasing soon-to-be classic eps of emotive electronic disco on internasjonal and bearfunk records. ulysses still continues to chart his own musical path with an incredible ep of dark pop for internasjonal spesial in the works, as well as some new club-friendly dance tracks on wurst and his solo debut for throne of blood. the acid reflux ep represents the diversity of ulyssess talent, from banging acid tracks to moody downtempo and grooving electronic house. to round things out ulysses recruited prins thomas to deliver an unprecedented nine-minute rerub of >acid reflux< that preserves the originals 303 groove but injects a heaping dose of cosmic atmosphere and live instrumentation into the mix. essential

danish producer martinez rarely fails to surprise club music lovers with his versatile views on techno and house. his very special enthusiasm enables him to seize new musical territory with every release. with his debut record on cadenza, his house sound develops another depth, a more general view of the ever evolving tension between life and music. the mzuzu ep is all about bass. the bass is all around, the bass gushes into every corner of the club, it pervades concrete and iron. while the low frequencies deal ruthlessly with architecture, they are kind to us humans. the basslines put the dancers in a conforting state of hypnosis which might be an unconscious reminder of the long gone time when one still rested in ones mothers womb. it arouses the memory of a state when one is completely merged with the surroundings. martinez reorganises the structure of house music: the lashing grooves cease to be the center of the tracks. martinez moves the heartbeat of the music from the beats to the bass. its firmness releases the other elements of the tracks, creating a free-spirited feeling. freed from their regular task the grooves are enabled to be rough and open. instead of trying to control the crowd, they ravish us with their liberating energy. the tracks rarely need anything else. the icing on the cake consists in tiny vocal samples. creating an irritating athmosphere, they put us in a state of constant curiosity. disolving completely into the flow of the tracks, the human voices become pure sound. >mzuzu chant< & >adagio< are for the beautiful moments when the dancing crowd detaches itself from time and space

spun presents the neurofunk legends synthetix & corrupt souls! these artists were a big hype from 2003 - 2006 with their very own unique sound and caused mayhem in the scene on labels like renegade hardware, obsessions, freak, black sun empire, disturbed and many more. spun came up with these 2 forgotten gems that still sound fresh. neuro heads will love the freaky sound of the a-side with the unmistakable heavy stepping beat and neurotic synths. the vibe reminds us of the good old days while the flip will fit in every djs set with its heavy percussion, siren like sounds and heavy synth stabs! still fresh! only limited available, so grab it while you can.

it is no secret that bloop has gained a cult following in the few years that it has as a label. release after release, the portuguese imprint has put quality over quantity. and by doing so, it has earned the respect of the djs. one of the releases that made it gain that status has to be anonyms >fazer-me a cabeça ep<. its two tracks from an anonymous producer from detroit, that had just released an acclaimed ep on sushitech, was so well received that it helped in raising the profile of both anonym and bloop. so it is a great pleasure to have anonym back on bloop with >a is for acid, b is for bass<. two raw jabs of techno and rave, two strong statements of how detroit techno has still a lot to say

ldr returns with the labels first various artists release, four house expressions - from four cutting edge producers. dublin based italian producer, lerosa opens the ep with longing…a warm, proficiently produced electronic house cut as always from the adopted dubliner. smooth percussion and synth sounds layered and arranged to perfection while still keeping that free-flowing lerosa style. rotterdams mark du mosch delivers an uplifting house / techno influenced workout blessings. re­fined percussion and wonderful space-synth soundscapes alongside a driving bassline that will get the dancefloor moving for sure! glaswegian meschi debuts with concrete island , the london based producer delivers a blissful deep house track. a laidback rhythmical production that just gets better and better throughout, with clever arrangements of elements including a classic voice sample and a soothing and delicate piano line. wicklows automatic tasty concludes the ep with another killer analogue jam, 707 percussion, a rail­way raver-esque bassline, and ats trademark pads and synth melodies combine to make >welcome ohm luv< another classic from the machines of mr.tasty

southern florida, 1984. the sonarphonic sound was pioneered by james mccauley aka maggotron / dxj / basstech. originally produced for bound sound records in 1984, this is one of the earliest and rarest recordings from mccauley and marks the beginning of the underground miami bass electro movement. in the following years he recorded hundreds of tracks including >the bass that ate miami<, >temple of boom<, and >attack on the planet of bass<. maggotron is still active in the genre and is currently working on a new album. if you are unfamiliar with mccauleys musical adventure, let the sonarphonic be your guide. tip!!

its not every day that we receive demos from new artists that totally rock our world, but when its happens its a joy and a reminder of why we are still doing this. and so tears of joy rolled onto the speakers when we played policys demos. when contacted policy he told us he is from nyc, is a part time movie director and only started making music recently. out of the bunch of tracks we received >specialty party< and >light over fort lee< form his debut ep. both tracks challenge the beat spectrum once again and definitely speak his cinematic mind. expect more music from policy on rush hour later this year. he surely is our contender for best newcomer of 2011.

ltd repress !!! where to begin with >likewise<...from a handful of cds that emerged early last spring >likewise< was by far the record of the night at diddys house party in miami. it then hit the top spots in mixmags charts and became one of the most wanted tracks by every a list dj during ibiza this summer and is still being championed by djs such as luciano and lee van dowski !

oooh super hot one from til! truth is light keeps charging along with what could be their most dynamic release yet. still obscure but rather less obtuse than previous outings! limited quantities again. the label shout a four track 12 inch beast that includes a huge gospel cover of sylvesters already smash underground disco hit >i need you<. if this doesnt turn people out, then you should throw these records at people in the club and aim for their necks!

the seventh release on dva records comes from a young, unknown resident of manchester named gugu. staying true to the dva style, his two tracks are fine examples of todays hybrid funky house scene, maintaing the 4 to the floor drum patterns whilst drawing on a wide range influencesà and as it suggests in the epÆs title, is packed full of cuban flava. straight up music designed to make people dance. it wouldnÆt be right to get a dva release without a feature from the man himself, rinse fmÆs grimey breakfast show host mr scratcha dva. as a slight deviation from the norm û and in a way a return to the styles his earlier production û dva lays down a heavyweight slice of synth laden half step, defiantely one to pull your dirty face too. check it out and get back to us with your thoughts.

in the summer of 2009, gothenburg, swedens jj quietly released one of the years most critically-acclaimed albums. the album jj n? 2 was the groups debut full-length (their first single was jj n? 1). secretly canadian is proud to join forces with swedish label sincerely yours for the worldwide release of this remarkable record.
digital download code included.

sven is back! it seems like ages ago since we heard some fresh music from the always-reliable mr. weisemann on mojuba. still having his acclaimed tunes like vibe, lets swing, cabana fever and kiss of abana resounding in our ears, are we ready for something new? yes we are! and hear he comes, delivering two kick ass tunes in best mojuba style, but he put also some impressions from his sole exception project for essays music, his old styrax jams as well as his famous xine lp inside. listen closely and you will feel it